Live from LRMA

The Lauren Rogers Museum of Art and the Laurel Garden Club will present Gardening Through the Seasons by Dr. William E. Barrick, Executive Director of Bellingrath Gardens on Thursday, Feb. 11 at 10:30 a.m. at the Lauren Rogers Museum of Art.

Gardening Through the Seasons will focus on creating landscape displays that provide color throughout the seasons of the year using examples from Bellingrath Gardens and Home, well known for its imaginative and creative use of annuals, tropicals, and perennials.

Dr. Barrick received BS and MS degrees from Auburn University and a PhD in Landscape Horticulture from Michigan State University. Since 1999, he has served as the Executive Director of Bellingrath Gardens and Home, located in Theodore, Alabama. He was Executive Vice-President and Director of Gardens in Callaway Gardens in Pine Mountain, Georgia, for almost 20 years before going to Bellingrath. Dr. Barrick is a past President of the American Association of Botanical Gardens and Arboreta, past Chairman of the American Horticultural Society, and a recipient of the Arthur Hoyt Scott Medal.

The lecture will be held in LRMA’s American Gallery. Following the lecture, lunch will be served at the Rogers-Green House which is located across the street from the Museum. Tickets are $35 per person and include lunch. Seating is limited. For reservations contact LRMA at 601-649-6374 or info@LRMA.org.

Gardening Through the Seasons is presented by Lauren Rogers Museum of Art and the Laurel Garden Club, a member of The Garden Club of America.

The Lauren Rogers Museum of Art is located at the corner of Fifth Avenue and Seventh Street in Historic Downtown Laurel. The Laurel Garden Club is a member of The Garden Club of America.

The current exhibition at the Lauren Rogers Museum of Art is Recent Acquisitions: 2004-2009, featuring works added to the permanent collection through both gift and purchase. Although the works were all added to the Museum’s collection in the 21st century, they are not all contemporary works of art. We have added American, European, Native American, and Japanese works to the collection, although the majority are American paintings and works on paper.

One of our major purchases of the last few years is a small painting called Concord Grapes (1903) by the American painter John Frederick Peto. Although small in stature, the painting has a strong presence and fills an important gap in our collection. Works in our American Gallery fit into one of four major categories: landscape, portraiture, still life, or genre (scenes of everyday life). A still life painting consists of objects which, obviously, lack the ability to move (such as jugs, fruit, crockery, flowers, books, and candles, for example). These objects are carefully chosen and grouped into a composition for artistic purposes. The still life is not meant to depict an accidental scene or a snapshot of real life, in other words.

Although several still life paintings were already in the collection, until recently we did not have an important work in the late 19th-century “trompe l’oeil” tradition. “Trompe l’oeil” means “to trick the eye”, and in painting refers to works which are highly detailed and carefully finished. Peto was one of a few major painters of the style in America, along with William Harnett and Jefferson David Chalfant. Peto was a native of Philadelphia, and trained at the Pennsylania Academy of the Fine Arts. However, after he married, he decided to move out of the mainstream of American art and live much of his adult life in Island Heights, New Jersey. There he produced a steady stream of still life paintings, punctuated by the occasional landscape.

Because of his isolation from city life and the fact that his career was cut short by Bright’s Disease at age 53, Peto’s work was considered secondary to Harnett’s for several decades. In fact, a number of his pictures were attributed to Harnett at one time. Only beginning in the 1950s did scholars manage to untangle the authorship and identify which works were by Peto and which by Harnett. Since then Peto’s reputation has steadily increased. His works are more tonal, a bit more moody and color-infused than Harnett’s, whereas Harnett tended to a crystalline finish and detail and a bit more flash.

A student of history and art history, Peto was almost certainly aware of one of the earliest stories about a painter in the Western world, that of Zeuxis. Zeuxis was a Greek painter during the Classical era (about 2500 years ago) who made a painting of grapes was so real-looking that, when it was unveiled, a bird flew down out of the sky and tried to peck at it. Peto’s grapes, however, are Concord grapes, a unique American grape developed in 1849. Peto’s still life, then, both evokes the European origins of oil painting and asserts its American identity apart from that history.

Recent Acquisitions: 2004-2009 is on exhibit in the Lower Level Galleries through March 24, 2010. The Lauren Rogers Museum of Art is located at the corner of 5th Avenue and 7th Street in historic downtown Laurel. The Museum is open Tuesday to Saturday from 10:00 am to 4:45 pm , and on Sundays from 1 pm to 4 pm. For more information call 601-649-6374 or visit us on the web at www.LRMA.org

Jill R. Chancey, PhD is curator of the Lauren Rogers Museum of Art.

This class is not yet full, but it's filling up quickly. Join us for our annual holiday art class:

At the Museum

With the arrival of the holidays, you may find yourself looking for a place to take respite from the hustle and bustle of activity that accompanies this very busy time of year. You may also be looking for ways to entertain your out-of-town guests. The Lauren Rogers Museum of Art, in historic downtown Laurel, is perfect for both.

Whether you or your guests enjoy American, European or Asian art, Native American basketry, English silver, or have more modern tastes, there is something for everyone at LRMA.

In the Lower Level Galleries beginning December 15, there will be an exhibition pulled from our very own vaults. Recent Acquisitions: 2004 - 2009 celebrates the additions to the LRMA collection made possible by the generous support of the community. Included in the exhibition are important works by Mississippi artists William Dunlap and Ethel Wright Mohamed; two baskets by Native American weaver Pat Courtney Gold, and the first addition to the Japanese Ukiyo-e print collection in many decades, The Dragon King’s Palace (1858), a triptych by Utagawa Kuniyoshi.

As it is the Christmas season, make sure you step into the Reading Room to view the beautifully decorated Christmas tree and the exquisite crèche at its base. These sixteen figures are made of dense cedar and were carved by an elderly Mayan Indian living in the hills of south central Guatemala. They were commissioned and purchased, piece by piece, from 1980 - 1981 by LRMA patron Jean Chisholm Lindsey, who then donated them to the Museum.

In the LRMA Library, you can find books on most any artist or art form imaginable. Take a moment to browse the shelves for something that peaks your artistic interest, find a quiet place, and spend an afternoon reading.

The staff at the Lauren Rogers Museum of Art appreciates your patronage and participation over the past year and welcomes you to visit your Museum and take part in the exciting events and educational arts programs in 2010. We wish you and yours a beautiful holiday season and a healthy, happy New Year!

The Museum is located at the corner of Fifth Avenue and Seventh Street in historic downtown Laurel and is open 10:00 a.m. until 4:45 p.m. Tuesday through Saturday and 1:00 until 4:00 p.m. on Sunday. Admission is free. For more information, call LRMA at 601.649.6374 or visit the Museum’s website, www.LRMA.org.


- Holly Green is the Director of Marketing at the Lauren Rogers Museum of Art.

At the Museum

by George Bassi, Director

As with most things in our lives, we tend to divide up the calendar year based on sporting activities, school, holidays and family events. For us here at the Lauren Rogers Museum of Art, our year always includes the excitement in November and early December of planning the annual museum gala.

LRMA will celebrate the sights, sounds and tastes of New Orleans at our annual black-tie gala on Saturday, December 5. Gala Chairmen Deborah and David Ratcliff promise a memorable evening of delicious food, lively music, and fabulous decorations to raise money for the Museum’s education and exhibition programs.

Highlighting the evening will be the Live Auction under the leadership of chairmen Mary Ella and Clay Johnson. Bidders will have the opportunity to purchase artwork by Bill Dunlap, Lucy Mazzaferro, Greg Gustafson, Patterson Barnes and Ginny Futvoye. The Live Auction also features two exciting week-long trips to the private residences of Lessley and Bobby Hynson in Ireland and Sara and John Hendrickson in Nantucket. Jewelry will include a stunning Judith Ripka gold and diamond cross necklace and an exquisite multi-colored string of pearls. Completing the Live auction is a beautiful table designed and crafted by Walter Bailey.

Pam and Jack Ward are serving as Silent Auction chairmen and their committee of 13 couples is gathering more than 100 auction items in six categories. Included are vacations, private dinners, jewelry, artwork, antiques and just about anything else on your Christmas list.

The gala is the museum’s primary fundraising event, raising almost 15% of our annual operating budget in this one night. But it is not all business– this is a night to laissez les bons temps rouler! The evening features a gourmet dinner inspired by New Orleans cuisine and dancing with the music of The Triple Lindy, featuring Laurel native Wes Brooks. Be on the lookout for mimes, ostrich plumes, a second-line and maybe even Chris Owens.

The fun begins with the annual Preview Party on Thursday, December 3. This event is sponsored by the LRMA Guild of Docents and Volunteers and highlights the many auction items up for bid. Katie Sullivan is serving as chair of this event, and the Guild will prepare a menu of delicious Big Easy treats to start the bidding.

Of course, an event of this magnitude takes a host of volunteers, and LRMA is fortunate to have great committee chairmen helping us out. Included are Jo Lynn McLeod as Decorations Chair, Ann Ellis and Betty Harper as Auction Display Chairs, and Diane Thames as Food and Beverage Chair.

Tickets are now on sale for this December 5 event, and you can call the Museum at 601-649-6374 for more information.

Lauren Rogers Museum of Art and The University of Southern Mississippi Symphony Orchestra present the second installment of their 2009-2010 Sunday Concert Series on Sunday, November 15 at 3 p.m. in the LRMA American Gallery. Harpist Kimberly Houser along with guest flutist Katherine Kemler will perform music by Godefroid, Debussy, Houser, Tournier, and Piazzola in a program titled “Dances with Harp.”


Kimberly Houser has performed on the harp since she was eight years old. She began her study in Portland, Oregon, performing her first full recitals and freelancing in high school. She received her Bachelors, Masters and Doctoral degrees from the University of Arizona while on full scholarship. Houser continued her study under Catherine Michel, principal harpist of the Paris Opera. She has performed at The World Harp Congress, The American Harp Society Convention, and the Soka City International Festival in Japan. She has toured Mexico, Japan, Prague, and Puerto Rico. Houser spent three years as principal harpist with the Billings Symphony in Billings, Montana while she taught both privately and through Montana State University. She has served as principal harp for the Columbia Symphony in Portland, Oregon and was on faculty at Clark College in Vancouver, Washington, where she taught music theory, history and appreciation. Her first solo CD, Pure Harp, was reviewed in the October/November 2006 issue of Fanfare Magazine. She is a Professional-in-Residence at Louisiana State University.


Katherine Kemler is Professor of Flute at Louisiana State University, flutist with the Timm Wind Quintet, and a regular visiting teacher at the Oxford Flute Summer School in England. A graduate of Oberlin, she received her Master of Music and D.M.A. degrees from State University of New York at Stony Brook. Dr. Kemler has taught master classes and performed solo recitals at the Shanghai Conservatory of Music in China, Hong Kong Academy of the Performing Arts, Beijing Concert Hall and taught master classes at the Central Conservatory of Music in Beijing. In 2006, she was a guest artist at the Slovenian Flute Festival and in the summer of 2007 she performed and taught at the Festiv'Academies in France. She was featured on the cover of Flute Talk Magazine in December of 2006 and also on the cover of the Flutist Quarterly, the official magazine of the NFA, in 2003. Dr. Kemler has appeared as soloist with the British Chamber Orchestra in London's Queen Elizabeth Hall, and with the Orchestra Medicea Laurenziana throughout Italy. She made solo broadcasts on BBC Radio 3 and National Public Radio and has recorded CDs with Centaur Records, Orion, and Opus One labels.

This Sunday Concert is sponsored by Tim Lawrence of Morgan Stanley Smith Barney, LLC in Jackson and is free and open to the public.

The Lauren Rogers Museum of Art is located at the corner of Fifth Avenue and Seventh Street in historic downtown Laurel. For more information, call 601-649-6374 or visit the Museum’s website at www.LRMA.org.

On October 20th and 22nd, about 800 fourth-graders visited the Lauren Rogers Museum of Art. As part of their unit on Native American history, they toured our Basket Gallery; learned about the three kinds of weaving (coiling, twining, and plaiting) and handled baskets of each type; did several hands-on art activities; watched Choctaw dancing; and saw a demonstration of Choctaw rivercane weaving. The weather held out, so we were able to use the front lawn for the activities and the demonstrations, and a lot of the classes went to Gardiner Park (behind the museum) to enjoy a picnic lunch.

This Sunday is your last chance to view the exhibition Moe Brooker: Carelessly Exact.

The exhibition Eudora Welty in New York will be closing soon after, on Sunday, November 15. From now until then, you may find one section of the Welty show has been taken down. This is because our construction project is causing one wall of that gallery to vibrate on occasion, and on those days we have to take those pictures down. We apologize for any inconvenience.

This week the LRMA staff took a field trip to Stennis Space Center in Southwest Mississippi. We are gearing up for the exhibit NASA|ART: 50 Years of Exploration, featuring 65 artworks commissioned by NASA over the last fifty years, which will open on April 8, 2010. The exhibition is organized by the Smithsonian Institution Traveling Exhibition Service and NASA in cooperation with the Smithsonian’s National Air and Space Museum.

We started with a driving tour of the immense facility, which in addition to testing rocket and shuttle engines, is host to a number of other federal agencies and contractors. We saw NOAA, weather buoys, and the enormous test stands, and more. Stennis even has its own daycare, mini-mart, gas station, fire station, medical clinic, and several cafeterias to serve its thousands of employees.

We then visited the Stennisphere, a museum/hands-on activity center which presents the history of the area, the space center, the shuttle, and more. Several members of the staff did a fine job of landing...er, *crashing* the space shuttle in the simulator.

George and other members of the staff enjoyed the space suit:



We were hoping they had an extra space suit to lend us for photo ops, but alas, they do not.

We were all impressed by the enormous scale of the engines tested at the center:



And, finally, we had a great meeting with members of the Education, Outreach, and Public Affairs staff, who have a lot of great programming ideas for us. We have big plans for the programming around this exhibition, and we are looking forward to partnering with the folks at the Stennis Space Center.

At the Museum –

Halloween is now behind us and it’s time to begin thinking about the holiday season. If you are looking for unique gifts, stop by the Lauren Rogers Museum of Art Gift Shop where we have a wide selection of gifts for young and old. For the children we have books and educational games and toys. Browse our offerings of Mississippi-crafted works including hand-turned pens by Dr. Steven Nowicki, hand-blown glass from Sweetwater Studio, and hand-painted ceramic birds from Wolfe Studio, as well as beautifully woven Choctaw baskets. We also carry a collection of stationery items and books both of local and artistic interest. New items are arriving daily in anticipation of the holiday season. We welcome you to stop by and shop in the Gift Shop of Mississippi’s first art museum surrounded by beauty, history, and fine art. Remember to mention your LRMA membership when making purchases at the Museum Gift Shop to receive a discount on your selections.

For a special treat, join us at our annual Shop Open House on November 24^th from 10 am to 5 p.m. Come shop and enjoy special discounts, free gift wrapping and delicious refreshments provided by the Museum’s Guild of Docents and Volunteers. From 10 a.m. until noon, local writer Karen Rasberry will be signing copies of her new collection of short stories, Travelers in Search of Vacancy. Jewelry maker Robbin Lee will also be returning for a trunk show of her freshwater pearl and sterling silver jewelry also between 10 a.m. and noon. The ever-popular chef and author Robert St. John will be on hand from 11 a.m. to 1 p.m.to sign copies of his latest book entitled Dispatches from My South.

The LRMA Gift Shop is now a consignment vendor for Mississippi Magazine which features articles and recipes from around the state. Come in and get your copy today.

The Museum is located at the corner of Fifth Avenue and Seventh Street in Historic Downtown Laurel. For more information about the Museum and Gift Shop, call 601-649-6374 ir visit the Museum website at www.LRMA.org.

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Lizabeth Brumley is Shop Manager and Visitor Services Coordinator at the Lauren Rogers Museum of Art.

October is promising to be the busiest month of 2009 for the education department at the Lauren Rogers Museum of Art. On October 3, we held our annual Heritage Arts Festival on the front lawn of the Museum. We had our biggest crowd yet, and everyone enjoyed the free art activities, music, and beautiful weather. We hope that next year will be even better.

This past week, we had a visit from a wonderful Mississippi artist, Dot Courson. Ms. Courson is from Pontotoc, Mississippi, and creates beautiful landscapes in oil. She spoke at our October Art Talk on Thursday and held a one-day workshop on Friday. It was a great experience and we hope to have her back again.

This Tuesday and Thursday are going to be exciting days at LRMA because we are conducting our Fourth Grade Tours Program. For years, the Museum held its Third Grade Tours Program in the fall of the year but is gearing the program for fourth graders this year as this age level studies the state of Mississippi and Native Americans. The Fourth Grade Tours Program will introduce approximately 800 local students to our By Native Hands Basket Collection, as well as allow them to experience a Choctaw weaving demonstration and a dance by Choctaw dancers. The students will enjoy immersing themselves in Native American culture while creating art activities to take back to the classroom.

Is this all that we have on the schedule this month at LRMA? Of course not! On Thursday, October 29, we will hold our Trick Art Treat Halloween Art Class for children in grades K5 through sixth. The class is from 3:30-5:00 p.m. in the Museum Annex. Call the Museum today for prices and to reserve your child’s spot in this spooky class! If your children are home-schooled, don’t forget about our Home School Fridays, which will take place this month on Friday, October 30. This is a great opportunity for your child to create a fun and free craft and to socialize with other home-schooled children. This event is from 1- 4 p.m. in the Museum Annex. If you have any questions about any of the programs offered by LRMA, please call the Museum at (601)649-6374. We have something for everyone at LRMA, so come by this month!



Angela King is Education Outreach Coordinator at the Lauren Rogers Museum of Art.

Lauren Rogers Museum of Art will offer an oil painting workshop by artist Dot Courson for beginning to intermediate level painters on October 15 - 17 in the Carriage House Studio. Times for the workshop are 6 - 8 p.m. (Thurs. Oct. 15) and 9 a.m. until 4 p.m. (Friday, Oct. 16 and Sat., Oct. 17).

Pontotoc artist Dot Courson, whose work has been featured throughout Mississippi, will lead this 3-day workshop. Through demonstration and instruction, the class will teach the elements of painting landscapes in plein air with a focus on trees in landscapes. Workshop participants will be instructed on basic compositions, design, and use of color in the southern landscapes. There will be lectures, slides, demos, and a closing critique of the students’ work.

Instruction will cover simplifying subject matter, values, color, and composition. Students will paint from their own landscape photographs and are asked to bring four or five of their own original photographs of landscapes. Participants should obtain a supply list upon registration. The workshop will be limited to 12 participants. The cost is $80 for LRMA members and $100 for non-members.

Call the Museum at 601.649.6374 to register for the workshop.

Lauren Rogers Museum of Art presents artist Dot Courson as its next ArtTalk speaker Thursday, from noon to 1 p.m. in the Lower Level Lecture Hall. Free and open to the public. For more information call 601.649.6374 or visit www.LRMA.org.

For more information about Dot Courson,visit her website at www.DotCourson.com

If you have been watching the Ken Burns series about our National Parks on
PBS, you’ve heard about artists traveling on many of the earliest expeditions to the parts of the American West that are today part of the park system. One of the artists in the LRMA collection, Albert Bierstadt, traveled with Colonel Frederick Lander’s government-sponsored expedition to map an overland route to the Pacific. In fact, Bierstadt’s career arc was enormously influenced by his participation in that expedition.

Born in Prussia, but raised in the United States, Bierstadt knew from an early age he wanted to be an artist. Unfortunately, it is almost universally acknowledged that his early work as a self-taught artist was really quite awful. It wasn’t until he studied art in Europe as a young man that his skill and talent developed sufficiently to match his ambition. He studied in Düsseldorf under Emmanuel Leutze, the American history painter best known for the iconic painting, “George Washington Crossing the Delaware.” He traveled widely and returned to the United States an accomplished and successful landscape painter in the European mode.


Until his Western travels, Bierstadt’s scenes of Europe and America were serene, luminous, and to some extent pastoral. This would change when, in 1858, he joined Lander’s exhibition. Bierstadt and several other members of the expedition did not stay with Lander all the way to California. Instead he opted to stop in Wyoming and spend the summer sketching in that wilderness. Shortly thereafter, Bierstadt launched a career built on large canvases depicting dramatic scenes of the then-exotic American West. From 1863 to 1883, Bierstadt commanded the highest prices of any American painter, living or dead. He would return to the West multiple times throughout his career, always sketching and preparing for yet another grand statement, usually a sweeping sunset in technicolor setting over the Rockies.


However, in between trips to the West, Bierstadt also visited the White Mountains of New Hampshire for sketching trips. It was on one of these trips, probably between 1857 and 1869, that he would have originated the idea for the Museum’s Bierstadt, “Autumn in New Hampshire.” The Museum’s painting harks back to Bierstadt’s early serene European style, rather than the drama and grandeur of his popular paintings of the American West. By the 1860s, New Hampshire was well-settled and thoroughly populated; it was nowhere near as wild and untamed as the Western half of the continent. The misty mountains in the background are barely visible behind the bright oranges and greens of the autumn foliage of New England. For Bierstadt, New Hampshire was something like home, whereas Wyoming was exotic, dangerous, and distant. Wyoming wasn’t even a state until 1890, years after Bierstadt’s visit; New Hampshire, after all, was one of the original thirteen colonies. Hence Bierstadt’s use of his more traditional mode of painting for this New England scene, which he was probably painting alongside his Western works.


“Autumn in New Hampshire” has been part of the Museum’s collection since it was donated in 1926 by Lauren Rogers’ grandfather, Lauren Chase Eastman. Mr. Eastman had purchased the painting in 1911, not too long after Bierstadt’s death. It hangs in the Museum’s American Gallery today.


The Lauren Rogers Museum of Art is open from 10:00 a.m. until 4:45 p.m. Tuesday through Saturday, and 1:00 p.m. until 4:00 p.m. Sunday. For more information about exhibitions, tours, and programming, call 601-649-6374 or visit www.LRMA.org.


Jill R. Chancey, PhD, is curator of the Lauren Rogers Museum of Art.

The Lauren Rogers Museum of Art in Laurel is hosting HERITAGE FESTIVAL this weekend, October 3. It is FREE! We have free art activities, free pizza, music by the Cowboy Blues Band, Choctaw dancers, and more. Saturday from 10 AM-2 PM on the front lawn. (Rain site: Sawmill Square Mall)

Our registrar, Tommie Rodgers, will be speaking at a symposium on basketry in Natchez in November. This looks like an excellent program, with something for the collector, the weaver, the museum professional, and anyone with an interest:

2009 Southeastern Indian Basketry Symposium

Co-sponsored by the National Park Service, Northwestern Louisiana State University,

and the Mississippi Department of Archives & History

Except where noted, all sessions to be held at the

Grand Village of the Natchez Indians, 400 Jefferson Davis Blvd., Natchez, MS 39120;

601-446-6502/jbarnett@mdah.state.ms.us

PROGRAM

THURSDAY, NOVEMBER 12

Grand Village of the Natchez Indians (GVNI)

5:00 – 7:00 p.m. Informal reception with food and refreshments, display of baskets borrowed from local owners.

FRIDAY, NOVEMBER 13

GVNI (coffee, bottled water, snacks provided)

9:00 a.m. Welcome and introductions – Jim Barnett, Mississippi Department of Archives & History

9:30 – 10:30 a.m. Informal panel discussion on marketing:

Janice Sago, Sales Shop Manager, GVNI

Kimble Marshall, Ph.D., Professor of Marketing, Alcorn State University

Deborah Cowart, Unit Manager, Eastern National Retail Outlet, Natchez National Historical Park

10:30 – 11:00 a.m. Break; informal discussions among weavers

11:00 – 11:45 a.m. Informal discussion on split-cane baskets:

Dustin Fuqua, Cane River Creole National Historical Park

Hiram F. “Pete” Gregory, Northwestern State University (LA)

11:45 a.m. – 1:00 p.m. Lunch (catered on-site)

1:00 – 2:00 p.m. Informal group discussion on cane propagation research:

Rachel Jolley, Ph.D., Mississippi State University

Dr. Jolley wants to hear from weavers about desirable cane attributes.

2:00 – 2:30 p.m. Break; informal discussions among weavers

2:30 – 3:00 p.m. Tour of the Grand Village (Jim Barnett)

3:00 – 4:00 p.m. Informal discussions among weavers

4:00 – 6:30 p.m. Dinner on own (numerous restaurants available)

6:30 p.m. Basket Conservation Workshop (public invited to bring baskets)

Cindy Gardner, Director of Collections, Museum of Mississippi History, Mississippi Department of Archives and History

Tommie Rodgers, Registrar, Lauren Rogers Museum of Art

* Open to the public (free admission) – location will be GVNI or the Natchez Visitor Reception Center auditorium.

SATURDAY, NOVEMBER 14 “Basket Day” Open to the public (free admission)

GVNI (in case of rain, to be held at the Natchez Visitor Reception Center)

10:00 a.m. – 3:00 p.m. Demonstrations and sales by basket weavers

Linda Farve, Mississippi Band of Choctaw will sell fry bread and Indian tacos; soft drinks and bottled water will be provided to participants and visitors.

At the Museum: Critically Thinking with the Artist

If you visit the Lauren Rogers Museum of Art in the coming weeks, you will be amazed at the joy of color on the walls of the Lower Level Galleries. The exhibition titled Moe Brooker: Carelessly Exact presents paintings that consist of vivacious blocks of dancing, intense colors creating movement, life and visual tension. Most are created with oil pastels and encaustic (wax and pigment that become liquid when melted).

The painter, Moe Brooker, is the artist and he finds joy in all aspects of his art. He is also a teacher and community worker from Philadelphia, PA who enjoys jazz music and feels a kinship to the colorful quilts created by African-American women. He serves as a deacon at the First African Baptist Church in Philadelphia and considers his time of painting as part of his daily devotion and worship.

His paintings are abstract and created with large areas of flat color and patterns, including stripes and checkerboards. The blocks of color are reminiscent of fabric pieces placed randomly to create visual vibration. Calligraphic squiggles of lines float across the central portion of the image while small blocks of color float across the central portion of the canvas.

While his work gives the impression of spontaneity, Mr. Brooker does have a working plan. His work is defined by the use of shapes, patterns and color that involves intensity, chroma, and value. Those are not easy elements to juggle and the layers can easily create a painting of “mud” if handled without some organization.

Mr. Brooker held a day-long workshop for area artists in which I attended for a brief time in the afternoon. Mr. Brooker has quite a following from his days of teaching at the Mississippi Art Colony. He asked the students to bring along work that was in process or completed work to critique as well as some painting supplies.

The morning was spent warming up with color choices and loosening up the arm. The afternoon was set aside for critique. For those of you who have never sat through a college critique session, you would have had quite an awakening.

“Critique” does not mean that your teacher or advisor will pat you on the back and say “Great Job! Wonderful Painting!” Instead, the teacher might say: “Does that color really work there?” “What were you THINKING?” And, all the while, the student is sliding deeper into his seat and answering with a meek “I don’t know.” Of course, the student is thinking that the teacher is yelling those questions whether they really are or not.

Mr. Brooker’s session was conducted much the same way. This type of critical discussion is really the best way to teach students to improve their art. He was not there to pat the students on the back and say “job well done,” but he was right on target in asking thought-provoking questions. He discussed the good points, recommended other artists’ works to study, and provided other options to change the work and make it better.

One of the most important points that he shared was to paint large areas of color first and pursue the details last. That point is much easier said than done. As most of the artists who participated will agree, it can be scary and disheartening to have a critical discussion about one’s work. A solid understanding of design elements is essential to building on one’s knowledge of art. A teacher who avoids the discussion of them may be one who doesn’t know and understand them himself and he certainly can’t help his students improve or teach them to make critical design decisions on their own.

Moe Brooker: Carelessly Exact will be on display through Sunday, November 8, 2009. The Museum is open from 10:00 a.m.-4:45 p.m. Tuesday through Saturday and Sundays from 1:00-4:00 p.m. The Museum is closed on Mondays. For more information, call 601-649-6374 or check the museum’s website at www.LRMA.org.

Tommie Rodgers is the registrar of the Lauren Rogers Museum of Art.

Eudora Welty in New York
August 21 - November 15, 2001
Stairwell Gallery

Opening events, all of which are free and open to the public:

5:00 Reading of Eudora Welty's "Petrified Man" by Catherine Nowicki
5:30 Lecture by Welty Scholar Suzanne Marrs
6:30 Reception

Eudora Welty in New York features fifty black-and-white photographs by Eudora Welty, one of the 20th century's greatest American authors. The photographs illuminate the artist's ties to New York City at the outset of her professional career. It includes a re-creation of Welty's first solo exhibition of her Mississippi photographs, mounted in New York City in 1936, as well as a dozen of her New York images, capturing American in the depths of the Great Depression and revealing a compassion and sensitivity towards her subject that became a hallmark of her writing.

Book signing by local authors Lori Leger and Cleveland Payne

Saturday, Aug. 22
1:00 pm to 3:30 pm
LRMA Lobby




Lori Leger will be signing copies of The Night Walker

Description
The Night Walker is a love story like no other. Written for men and women alike, this story takes the reader into the Klamoth Mts. living through the life of Bigfoot who is in fact a shapeshifter. The reader will be whisked away through the trials of murder, poaching, kidnapping and..love. It will make you wonder is Bigfoot a real hero or a monster.

About the Author
Lori born in Sep. of 1969, was raised in Richton, Ms. but has lived with her husband and three daughters in Laurel for over twenty years. She has always been intrigued with Indian folklore due to her Grandfather being full blooded Choctaw. She enjoys reading love stories by her favorite author Cassie Edwards. These two aspects along with her interest always being piqued by Bigfoot stories brought her to combining the three into this wonderful new love story full of action, terror, and heartbreak to reach out to all readers, man and woman alike. Lori says her dream is to have people read her books and feel as though they are there themselves.


Cleveland Payne will be bringing his latest book.

About the author:

Cleveland Payne is a lifelong resident of Laurel, Mississippi, and a 1957 graduate of Oak Park Vocational High School where he was a star athlete. As a result, he was inducted into the Oak Park Hall of Fame in July 2000. Payne received his undergraduate degree from Rust College in Holly Springs, Mississippi in 1965.

While at Rust, although majoring in the social sciences, his talent for writing was discovered by his English instructor, who encouraged him to write as much as possible. He enjoyed writing, but with his busy schedule as a basketball player and track star, there was little time to pursue this interest.

His journey as an author started to take direction while completing his graduate work at the University of Southern Mississippi (USM) in Hattiesburg. Although he had a wide range of interests, he eventually discovered a great affinity for history and research. In 1982, he became the first student to earn a Specialist in History at USM in the new degree program. His thesis, "Laurel: A History of the Black Community 1882–1962," was refined and published as his first book.

Payne is the author of nine other books. They include The Oak Park Story: A Cultural History (1988), A History of Black Laurel (1990), From Kemper to California—The Long Journey (1992), The Road to San Antonio: The Journey of Career Airman Johnny Hearn (1995), Laurel Remembrances (1996), The Defining Moment (2000), The House on the Boulevard (2002), and The Silver Pendant (2006). The Long Drive (2008) is Payne's tenth book and is his fourth novel featuring his adventurous protagonist, Slim McCall.

On February 14, 2000, his hometown of Laurel honored him with the Millennium Medallion in recognition of his lifelong commitment to illuminating the beauty of life in Laurel through his lyrical writings and memoirs.

It’s hard to believe with the August heat still going strong, but fall is right around the corner. The kids are back in school, football season will be underway soon, and there are new and exciting programs happening at the Lauren Rogers Museum of Art. Home School Fridays will start up again this month, with the first class on Friday, August 28. These free classes are for home schooled children of all ages, and take place on the fourth Friday of every month from 1:00 P.M. to 4:00 P.M. in the Museum Annex. This is a great time for kids and parents to socialize and create a fun art project.
There are two wonderful new shows up at LRMA right now. The first is Moe Brooker: Carelessly Exact, which features large, colorful, abstract works by African-American artist Moe Brooker. Mr. Brooker is a working artist, and visited the museum last week for a lecture, workshop, and the opening reception for his show. You can see these impressive works on display in the LRMA Lower Level Galleries until November 8. Starting at the end of this week, you can also enjoy Eudora Welty in New York, a show of photographs taken by Eudora Welty. This show commemorates the 100th anniversary of Eudora Welty’s birth and will be available for viewing in our Stairwell Gallery until November 15.
Next week, on August 25, the LRMA Guild of Docents and Volunteers will host its annual Guild Membership Coffee. This invitation-only event is held each year to introduce potential Guild members to current members and to acquaint them with the purpose of the LRMA Guild. The Guild is a vital part of the Lauren Rogers Museum of Art, with members volunteering for virtually every event held at the museum throughout the year. The Guild Docents also give tours every day that the museum is open. If you are interested in more information on how to join this prestigious organization, please call the museum at (601) 649-6374.
Pottery classes will be offered for children and adults this fall at the museum. The children’s pottery class will be on Tuesday afternoons in September, beginning on September 1 and running through September 22. Children who are currently in Kindergarten to 6th grade can participate. Kids will learn the basics of working in clay, both hand building and throwing on the potter’s wheel. The class will be from 3:30 P.M. to 5:00 P.M. in the Carriage House Studio on Seventh Street. Adults can enjoy pottery this October on Tuesday and Thursday evenings from 6:00 P.M. to 8:30 P.M. This class will be taught by local ceramic artist Byron Myrick and participants will work exclusively on the potter’s wheel. For more information about any of these programs, or to sign up for a class, call the Lauren Rogers Museum of Art at (601) 649-6374.

As part of the 30th anniversary celebration of the Mississippi Institute of Arts, LRMA has organized an exhibition featuring MIAL award winners in Visual Art and Photography over the past 30 years. The exhibition will be a virtual "Who's Who" of Mississippi artists, including William Dunlap, Sam Gilliam, Birney Imes, Mildred Wolfe, Maude S. Clay, Eudora Welty, Wyatt Waters, and Charles Carraway. Your chance to revisit three decades of some of the best artists Mississippi has to offer is almost over! The show closes on Sunday, August 2.

“Sister Cities Artist Exchange”
June 11 - August 2, 2009


This summer, the Lauren Rogers Museum of Art and the Cleveland County Arts Council of Shelby, North Carolina have organized a juried cooperative exhibition. The Shelby County Arts Council will host an exhibition of Laurel & Jones County artists, while the Lauren Rogers Museum of Art will exhibit artists from the Shelby, North Carolina region. Shelby, North Carolina adopted Laurel as its sister city following Hurricane Katrina, and were involved in recovery efforts. Although the idea for this exhibit evolved from this relationship, art that thematically focuses on Hurricane Katrina is not the intention. The purpose of this exchange is to showcase a variety of artforms and artists from both areas. For the LRMA’s exhibition, Shelby County Arts Council invited selected artists to submit works, and co-curators Mark Brown and Jill Chancey selected works from those submissions. The resulting exhibition features a wide variety of works, including textiles, pottery, painting, and works on paper.

This exhibition closes in less than two weeks! Don't miss your introduction to a whole community of artists little-known here in South Mississippi.

The Cleveland County artists chosen for this exhibition are:

Susan Carlisle Bell
David Caldwell
Ray Clemmer
Hal Dedmond
Susan Doggett
Pat Edwards
Lynn Eskridge
Harriette Grigg
Sally Jacobs
Ron Mechling
Ron Philbeck
Bonnie Price
Chrys Riviere-Blalock
Paula Amanda Spangler
Kay Young